Django

Uptown

(Composed and arranged by Reynold D. Philipsek 2015 copyright Zino-Rephi Music BMI)Guitars-Reynold, percussion-Michael Bissonnette, bass-Matt Senjem, piano-Gregg Inhofer, recording engineer-Stymie Seamans Since I just posted the video about the writing, recording, mixing, and mastering of this song for the documentary “A Life Well Played” I thought it appropriate to now post the link to the final product. I have fond […]

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Kiki

(Written and performed by Reynold D. Philipsek copyright 2015 Zino-Rephi Music BMI)Recording engineer-Stymie Seamans “Kiki” was the name of our female Lhasa Apso. She lived to eighteen years and four months which is a long life for a dog. This tune is for her and it tries to depict the innocent playfulness of a high-spirited dog. We now have a

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Sweet On You

(Written and arranged by Reynold D. Philipsek 2020 copyright Zino-Rephi Music BMI) All voices and instruments by Reynold except drums by Beth VarelaRecorded by Stymie Seamans It is very unusual for me to write a song from such a personal viewpoint. I feel more comfortable when I take a more generalized point of view. That is not to say that

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Neon City

(Composed and performed by Reynold D. Philipsek copyright 2021 Zino-Rephi Music BMI) This is a tune I did within the last year during the lockdown. It was one of seven tracks on the EP I released called “Seven Songs 20/21.” This project presents the music I worked on during the pandemic time. If you’d like to get a copy of

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Scherzo

(Composed and performed by Reynold D. Philipsek 2011 copyright Zino-Rephi Music BMI)Recording engineer: Stymie Seamans I sent this piece out once before quite a while ago but accidentally heard it on Spotify again and liked it. Actually, at first, it didn’t connect with me that it was my recording. That’s an odd thing when it happens and a bit disappointing

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Fandango

(Composed and performed by Reynold D Philipsek 2015 copyright Zino-Rephi Music BMI)Guitars-ReynoldRecording engineer-Stymie Seamans This is an odd little piece. They say Prokofiev kept a notebook with “tidbits” of ideas and when he began to compose a piece (like the Third Piano Concerto) he would consult this notebook when he got stuck. He then would find a “tidbit” that would

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